Thirteen channels, one phono stage, and zero apologies — this is the receiver Denon built to end the argument.

The Evolution One Integrated is Krell's proof that you don't need a rack full of boxes to sound serious.

Nordost Valhalla 2 XLR: because your preamp is already telling the truth, and your cables shouldn't be lying.

The E-380 doesn't chase trends. It just quietly outclasses everything in the room.

The Debut Carbon EVO doesn't ask you to compromise — it just asks you to set it up right.

The PM8006 is what Marantz sounds like when Marantz is actually trying.

The PMA-2000NE sounds like your uncle's vintage Marantz—except it won't electrocute you at 2am.

The Anthem MRX 540 is the honest answer to the question nobody wanted to ask: what if the best amp for your turntable came with room correction?

The 1200 grew up, and if you're still on the MK2, you owe it to yourself to hear what it became

The 2M Red is the cartridge that makes you realize your turntable was never the problem

The TT-1S never died — Audio-Technica just gave it a new name and better specs for under $500

You don't need to spend five figures to hear what a real turntable does — Denon proved it in 1988

The Alexandria XLF doesn't flatter your system — it autopsies it

The NS-1000M grew up, moved to Lyon, and stopped making you work so hard for the truth

Luxman stopped asking what was good enough and built the L-509X anyway

The Rega Planar 3 doesn't flatter your records — it tells you the truth about them

The L-505uX is what happens when a 90-year-old company stops apologizing for its past and starts building from it

The DL-103 taught you to want this. The Koetsu Rosewood Signature is what happens when you stop pretending you don't

The DL-103 already sounds like a religion. A dedicated mounting board is just the proper church

The SPU has been right about jazz for sixty years. Maybe it's time you listened